Microsoft

This error usually occurs because of macro security settings. If you know that the macro comes from a source that you trust, you can change your macro security settings to allow you to enable the macro. The way that you change your macro security settings depends on the Microsoft Office System program that you are using.

·          Microsoft Office Access, Microsoft Office Excel, Microsoft Office PowerPoint, or Microsoft Office Word --

To check your macro security settings, click the Microsoft Office Button, click <program name> Options, click Trust Center, and then click Trust Center Settings.

·                      If macro security is set to Disable all macros without notification, all macros are automatically disabled. Use the following procedure to enable the macro.

1.     In the Trust Center dialog box, click Macro Settings, and then click Disable all macros with notification.

2.     Click OK in the Trust Center dialog box to apply the new setting. Click OK to close the program options dialog box.

3.     Close the file and the Microsoft Office program that you are using.

4.     Open the file again. A Security Alert appears in the Document Information Bar just below the ribbon. Click Enable Content to allow the macro to run.

5.     When you have enabled the macro, it is recommended that you return the macro security setting to Disable all macros without notification.

·                      If macro security is set to Disable all macros with notification, but you selected Disable when prompted by the macro warning dialog when you opened the file, use the following procedure to enable the macro.

1.     In the Trust Center dialog box, click Cancel. Click Cancel to close the program options dialog box.

2.     Close the file and the Microsoft Office program that you are using.

3.     Open the file again. A Security Alert appears in the Document Information Bar just below the ribbon. Click Enable Content to allow the macro to run.

·                      If macro security is set to Disable all macros except digitally signed macros, the macro may not have been digitally signed. Verify that you can trust the macro before using the following procedure to allow it to run.

1.     In the Trust Center dialog box, click Cancel. Click Cancel to close the program options dialog box.

2.     Close the file and the Microsoft Office program that you are using.

3.     Open the file again. A Security Alert appears in the Document Information Bar just below the ribbon. Click Enable Content to allow the macro to run.

·         
Microsoft Office Outlook, Microsoft Office Visio, or Microsoft Office Publisher --

To check your macro security settings, on the Tools menu, click Trust Center, and then click Macro Security.

·                      If macro security is set to No warnings and disable all macros, all macros are automatically disabled. Use the following procedure to enable the macro.

1.     In the Trust Center dialog box, click Warnings for signed macros; all unsigned macros are disabled, and then click OK.

2.     Close the file and the Microsoft Office program that you are using.

3.     Open the file again. When prompted, click Enable Content to allow the macro to run. If you are using Visio, the Enable Content button appears as part of a Security Alert in the Document Information Bar. If you are not prompted to enable the macro, or if you receive this error again, the macro may not be digitally signed. Verify that you can trust the macro. If you are certain that you can trust the macro, use the next procedure below to enable the macro.

4.     When you have enabled the macro, it is recommended that you return the macro security setting to No warnings and disable all macros.

·                      If macro security is set to Warnings for signed macros; all unsigned macros are disabled, the macro may not be digitally signed. If you are certain that you can trust the macro, use the following procedure to enable the macro.

1.     In the Trust Center dialog box, click Warnings for all macros, and then click OK.

2.     Close the file and the Microsoft Office program that you are using.

3.     Open the file again. When prompted, click Enable Content to allow the macro to run. If you are using Visio, the Enable Content button appears as part of a Security Alert in the Document Information Bar.

4.     When you have enabled the macro, it is recommended that you return the macro security setting to Warnings for signed macros; all unsigned macros are disabled.

·         
Microsoft Office Project --

To check your macro security settings, on the Tools menu, click Macro, and then click Security.

·                      If macro security is set to Very High, use the following procedure to enable the macro.

1.     In the Security dialog box, click High, and then click OK.

2.     Close the file and Microsoft Office Project.

3.     Open the file again. When prompted, click Enable Content to allow the macro to run. If you are not prompted to enable the macro, or if you receive this error message again, the macro may not be digitally signed. Verify that you can trust the macro. If you are certain that you can trust the macro, use the next procedure below to enable the macro.

4.     When you have enabled the macro, it is recommended that you return the macro security setting to Very High.

·                      If the macro security setting is set to High, the macro may not be digitally signed. If you are certain that you can trust the macro, use the following procedure to enable the macro.

1.     In the Security dialog box, click Medium, and then click OK.

2.     Close the file and Microsoft Office Project.

3.     Open the file again. When prompted, click Enable Content to allow the macro to run.

4.     When you have enabled the macro, it is recommended that you return the macro security setting to High.

This error may also occur for the following reasons:

·The certificate of trust that is attached to the macro is invalid. Unless you are certain that the macro is safe, it is recommended that you not trust or run the macro.

·The certificate is no longer trusted, was revoked by the issuing authority, or is damaged. Unless you are certain that the macro is safe, it is recommended that you not trust or run the macro.

·Visual Basic for Applications (VBA) is not installed on your computer. In this case, no VBA macro can be run, regardless of whether the macro has a valid certificate of trust. You or your administrator may have chosen not to install VBA, or the version of Microsoft Office that you are using may not install VBA by default. If your version of Microsoft Office does not provide VBA as an installable feature, you can upgrade to a version that provides VBA support.

·If you are unable to change the security settings, it is possible that another program has locked the security settings. Close all Microsoft Office System programs, then restart your program and change the security settings.

More information about this error message online.

Al Aaraaf

Al Aaraaf

PART II

High on a mountain of enamell’d head-

Such as the drowsy shepherd on his bed

Of giant pasturage lying at his ease,

Raising his heavy eyelid, starts and sees

With many a mutter’d “hope to be forgiven”

What time the moon is quadrated in Heaven-

Of rosy head that, towering far away

Into the sunlit ether, caught the ray

Of sunken suns at eve- at noon of night,

While the moon danc’d with the fair stranger light-

Uprear’d upon such height arose a pile

Of gorgeous columns on th’ unburthen’d air,

Flashing from Parian marble that twin smile

Far down upon the wave that sparkled there,

And nursled the young mountain in its lair.

Of molten stars their pavement, such as fall

Thro’ the ebon air, besilvering the pall

Of their own dissolution, while they die-

Adorning then the dwellings of the sky.

A dome, by linked light from Heaven let down,

Sat gently on these columns as a crown-

A window of one circular diamond, there,

Look’d out above into the purple air,

And rays from God shot down that meteor chain

And hallow’d all the beauty twice again,

Save, when, between th’ empyrean and that ring,

Some eager spirit Flapp’d his dusky wing.

But on the pillars Seraph eyes have seen

The dimness of this world: that greyish green

That Nature loves the best Beauty’s grave

Lurk’d in each cornice, round each architrave-

And every sculptur’d cherub thereabout

That from his marble dwelling peered out,

Seem’d earthly in the shadow of his niche-

Achaian statues in a world so rich!

Friezes from Tadmor and Persepolis-

From Balbec, and the stilly, clear abyss

Of beautiful Gomorrah! O, the wave

Is now upon thee- but too late to save!

Sound loves to revel in a summer night:

Witness the murmur of the grey twilight

That stole upon the ear, in Eyraco,

Of many a wild star-gazer long ago-

That stealeth ever on the ear of him

Who, musing, gazeth on the distance dim,

And sees the darkness coming as a cloud-

Is not its form- its voice- most palpable and loud?

But what is this?- it cometh, and it brings

A music with it- ’tis the rush of wings-

A pause- and then a sweeping, falling strain

And Nesace is in her halls again.

From the wild energy of wanton haste

Her cheeks were flushing, and her lips apart;

And zone that clung around her gentle waist

Had burst beneath the heaving of her heart.

Within the centre of that hall to breathe,

She paused and panted, Zanthe! all beneath,

The fairy light that kiss’d her golden hair

And long’d to rest, yet could but sparkle there.

Young flowers were whispering in melody

To happy flowers that night- and tree to tree;

Fountains were gushing music as they fell

In many a star-lit grove, or moon-lit dell;

Yet silence came upon material things-

Fair flowers, bright waterfalls and angel wings-

And sound alone that from the spirit sprang

Bore burthen to the charm the maiden sang:

“‘Neath the blue-bell or streamer-

Or tufted wild spray

That keeps, from the dreamer,

The moonbeam away-

Bright beings! that ponder,

With half closing eyes,

On the stars which your wonder

Hath drawn from the skies,

Till they glance thro’ the shade, and

Come down to your brow

Like- eyes of the maiden

Who calls on you now-

Arise! from your dreaming

In violet bowers,

To duty beseeming

These star-litten hours-

And shake from your tresses

Encumber’d with dew

The breath of those kisses

That cumber them too-

(O! how, without you, Love!

Could angels be blest?)

Those kisses of true Love

That lull’d ye to rest!

Up!- shake from your wing

Each hindering thing:

The dew of the night-

It would weigh down your flight

And true love caresses-

O, leave them apart!

They are light on the tresses,

But lead on the heart.

Ligeia! Ligeia!

My beautiful one!

Whose harshest idea

Will to melody run,

O! is it thy will

On the breezes to toss?

Or, capriciously still,

Like the lone Albatros,

Incumbent on night

(As she on the air)

To keep watch with delight

On the harmony there?

Ligeia! wherever

Thy image may be,

No magic shall sever

Thy music from thee.

Thou hast bound many eyes

In a dreamy sleep-

But the strains still arise

Which thy vigilance keep-

The sound of the rain,

Which leaps down to the flower-

And dances again

In the rhythm of the shower-

The murmur that springs

From the growing of grass

Are the music of things-

But are modell’d, alas!-

Away, then, my dearest,

Oh! hie thee away

To the springs that lie clearest

Beneath the moon-ray-

To lone lake that smiles,

In its dream of deep rest,

At the many star-isles

That enjewel its breast-

Where wild flowers, creeping,

Have mingled their shade,

On its margin is sleeping

Full many a maid-

Some have left the cool glade, and

Have slept with the bee-

Arouse them, my maiden,

On moorland and lea-

Go! breathe on their slumber,

All softly in ear,

Thy musical number

They slumbered to hear-

For what can awaken

An angel so soon,

Whose sleep hath been taken

Beneath the cold moon,

As the spell which no slumber

Of witchery may test,

The rhythmical number

Which lull’d him to rest?”

Spirits in wing, and angels to the view,

A thousand seraphs burst th’ Empyrean thro’,

Young dreams still hovering on their drowsy flight-

Seraphs in all but “Knowledge,” the keen light

That fell, refracted, thro’ thy bounds, afar,

O Death! from eye of God upon that star:

Sweet was that error- sweeter still that death-

Sweet was that error- even with us the breath

Of Science dims the mirror of our joy-

To them ’twere the Simoom, and would destroy-

For what (to them) availeth it to know

That Truth is Falsehood- or that Bliss is Woe?

Sweet was their death- with them to die was rife

With the last ecstasy of satiate life-

Beyond that death no immortality-

But sleep that pondereth and is not “to be’!-

And there- oh! may my weary spirit dwell-

Apart from Heaven’s Eternity- and yet how far from Hell!

What guilty spirit, in what shrubbery dim,

Heard not the stirring summons of that hymn?

But two: they fell: for Heaven no grace imparts

To those who hear not for their beating hearts.

A maiden-angel and her seraph-lover-

O! where (and ye may seek the wide skies over)

Was Love, the blind, near sober Duty known?

Unguided Love hath fallen- ‘mid “tears of perfect moan.”

He was a goodly spirit- he who fell:

A wanderer by moss-y-mantled well-

A gazer on the lights that shine above-

A dreamer in the moonbeam by his love:

What wonder? for each star is eye-like there,

And looks so sweetly down on Beauty’s hair-

And they, and ev’ry mossy spring were holy

To his love-haunted heart and melancholy.

The night had found (to him a night of woe)

Upon a mountain crag, young Angelo-

Beetling it bends athwart the solemn sky,

And scowls on starry worlds that down beneath it lie.

Here sat he with his love- his dark eye bent

With eagle gaze along the firmament:

Now turn’d it upon her- but ever then

It trembled to the orb of EARTH again.

“Ianthe, dearest, see- how dim that ray!

How lovely ’tis to look so far away!

She seem’d not thus upon that autumn eve

I left her gorgeous halls- nor mourn’d to leave.

That eve- that eve- I should remember well-

The sun-ray dropp’d in Lemnos, with a spell

On th’ arabesque carving of a gilded hall

Wherein I sate, and on the draperied wall-

And on my eyelids- O the heavy light!

How drowsily it weigh’d them into night!

On flowers, before, and mist, and love they ran

With Persian Saadi in his Gulistan:

But O that light!- I slumber’d- Death, the while,

Stole o’er my senses in that lovely isle

So softly that no single silken hair

Awoke that slept- or knew that he was there.

“The last spot of Earth’s orb I trod upon

Was a proud temple call’d the Parthenon;

More beauty clung around her column’d wall

Than ev’n thy glowing bosom beats withal,

And when old Time my wing did disenthral

Thence sprang I- as the eagle from his tower,

And years I left behind me in an hour.

What time upon her airy bounds I hung,

One half the garden of her globe was flung

Unrolling as a chart unto my view-

Tenantless cities of the desert too!

Ianthe, beauty crowded on me then,

And half I wish’d to be again of men.”

“My Angelo! and why of them to be?

A brighter dwelling-place is here for thee-

And greener fields than in yon world above,

And woman’s loveliness- and passionate love.”

“But, list, Ianthe! when the air so soft

Fail’d, as my pennon’d spirit leapt aloft,

Perhaps my brain grew dizzy- but the world

I left so late was into chaos hurl’d-

Sprang from her station, on the winds apart.

And roll’d, a flame, the fiery Heaven athwart.

Methought, my sweet one, then I ceased to soar

And fell- not swiftly as I rose before,

But with a downward, tremulous motion thro’

Light, brazen rays, this golden star unto!

Nor long the measure of my falling hours,

For nearest of all stars was thine to ours-

Dread star! that came, amid a night of mirth,

A red Daedalion on the timid Earth.”

“We came- and to thy Earth- but not to us

Be given our lady’s bidding to discuss:

We came, my love; around, above, below,

Gay fire-fly of the night we come and go,

Nor ask a reason save the angel-nod

She grants to us, as granted by her God-

But, Angelo, than thine grey Time unfurl’d

Never his fairy wing O’er fairier world!

Dim was its little disk, and angel eyes

Alone could see the phantom in the skies,

When first Al Aaraaf knew her course to be

Headlong thitherward o’er the starry sea-

But when its glory swell’d upon the sky,

As glowing Beauty’s bust beneath man’s eye,

We paused before the heritage of men,

And thy star trembled- as doth Beauty then!”

Thus, in discourse, the lovers whiled away

The night that waned and waned and brought no day.

They fell: for Heaven to them no hope imparts

Who hear not for the beating of their hearts.

{Edgar Allan Poe}

Note Bhayu MH : In this two part penghayatannya Poe still continuing on Al Aaraaf. If you notice, rimanya more varied this time. In part one or AA AAAA mostly alone, this time he mixed it up with ABAB or ABBA. Differences in rhyme in poetry archipelago, in the English language rhyme poetry can form a suffix instead of writing the equation, but also the pronunciation of the spoken or a suffix is used. Because in English writing with often different pronunciation. A sweet variation without losing uniqueness. Poe managed to bring the audience on a journey visiting places supreme beautiful. Not only in heaven but also on ear